It's Animationnnnnn
1 Animation film history: a bird’s eye view / Pages 1-119
1.1 Introduction
1.2 First steps: the pioneers
1.3 Second World War: animating with a heavy heart
1.4 Emergence of a new industry: the studio years
1.5 Birth of a new art form: freedom of expression
1.6 New techniques, new possibilities: going digital and beyond
1.7 A parallel world: animation series
1.8 Re-emergence of the studio system: animated features
1.9 Breaking out of the box: expanded animation
1.10 Reflection
2 Animation film culture: the art of creating synergy / Pages 120-160
2.1 Introduction
2.2 From censorship to encouragement
2.3 Imagination in power
2.4 Animation film makers, unite!
2.5 In search of an audience
2.6 Towards a professional approach
2.7 Developing and promoting talent
2.8 Creating a lively discourse
2.9 Changing film policies and funding
2.10 Crossing borders
2.11 Reflection
3 Animation film masters: biographies, films and reflections / Pages 161-250
3.1 Introduction
3.2 George Pal: master of puppetoon
3.3 Marten Toonder: a gentleman of standing
3.4 Joop Geesink: animating for perfection
3.5 Børge Ring: the Rembrandt of all animators
3.6 Rupert van der Linden: the chess artist
3.7 Ronald Bijlsma: art is business is art
3.8 Gerrit van Dijk: rebel with a cause
3.9 Monique Renault: a woman in a man’s world
3.10 Harrie Geelen: teller of tales
3.11 Paul Driessen: defying spacetime
3.12 Evert de Beijer: adventurer in design
3.13 Michael Dudok de Wit: the poetry of animation
3.14 Piet Kroon: how to skin a cat
3.15 Adriaan Lokman: creating digital worlds
3.16 Rosto: a restless dreamer
3.17 Mascha Halberstad: making puppets act
3.18 Marieke Blaauw: animating on threes
3.19 Nina Gantz: wander woman
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Animation in the Netherlands [ visuals ]
1.1 Introduction / Page 1
Figure 1.1 / Page 2    Still from An Adventure in the Sky (1919) by Alex Benno. From the collection of Eye Film Museum. Courtesy of Eye Film Museum.